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When America faltered, others stood up to lead.
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@georgetakei Uhm, the Trump gang is lost in an ocean of Putin's kompromat on Trump & his RINOs.
Nice diplomatic try though, dear President Zelenskyy!
Europe has spent a lot more than the U.S. it seems, & the EU's going to keep on supporting Ukraine with everything it needs, besides considerably reinforcing its own defenses against the lunatic in the Kremlin.
#EUPol#USPol#Ukraine#USPolitics#ArmUkraineUp#ArmEU#FuckPutin#ArrestPutin.
Macron discusses "North Korean soldiers on European soil."
Sure. Not good.
Now do the number of French soldiers on African soil. I'll wait.
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@timnitGebru
Indeed. The whole βfree worldβ schtick being played for the western audience in the face of multiple glaring contradictions tells me how much we donβt matter. Again.
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Once dismissed as frivolous, wargames have emerged as crucial strategic tools amid rising global tensions. A recent simulation at Paris's Γcole Militaire, where 500 participants played out high-intensity conflict scenarios, reflects a growing international trend toward gamified military preparedness.
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π’ Neue Forschungsstelle in der #Ukraine π’
Die Max Weber Stiftung baut eine Forschungsstelle in #Lviv auf und setzt damit ihre Neuausrichtung in #Osteuropa fort! Die MΓΌnchener Historikerin Iryna Klymenko wird den Aufbau leiten.
Zur Pressemitteilung π https://www.maxweberstiftung.de/presse/aktuelles-presse/einzelansicht-pressemeldungen/detail/News/max-weber-stiftung-baut-forschungsstelle-in-der-ukraine-auf.html
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Been on the fence about joining Mastodon for a while. Jumped off of it, finally. Hi :]
I'm a character artist, spent a lot of time drawing OCs but also made some Solarpunk stuff, including that one "we would call it Solarpunk" post.
Here's some illustrations I did for the Solarpunk Prompts podcast, with more to come
#introduction #art #solarpunk #hopepunk #illustration #ukraine#myArt
Digital illustration of a rooftop vegetable garden under a semi-transparent solar panel, lit by the morning sun. Behind it we see a vibrant residential tower, and yet further - a park still bathed in gentle shadows, as well as a train bridge.
Three people are in the foreground next to the raised garden beds. A grandmother is sitting on a stool, explaining something to the curious child who's crouching nearby. To the left, a girl, clearly in the middle of doing something, appears to have zoned out and is now looking into the distance, fiddling with her necklace.
A watering can is dripping on the thin stone-tiled path nearby.
A TV studio recording a cooking show, with a clearly distressed cook standing in front of a table full of vegetarian / vegan ingredients, their hands raised placatingly. The audience in front of them is clearly outraged, waving protest signs demanding meat.
Digital illustration of a vibrant cafeteria scene. We can see through the faraway window that the building is situated somewhere high up in the mountains, likely next to a research station. Visitors are going about their day in the background, and the walls are covered in art.
In the foreground, two people are having a conversation over a vegetarian meal. The person on the left is playfully leaning in, probably asking the other one a question. The second person is gesturing in frustration. To their right is a notebook covered in scribbles, indicating possible creative troubles.
Digital illustration. The scene is set on a spring morning.
A middle-aged woman is standing in the centre of the frame, holding a miner's helmet in one hand and in the other - a flyer, close to her chest.
Before her is a statue of two people, one of which is pulling the other out of a hole while holding onto a small wind turbine. A discarded pickaxe is lying on the ground.
The woman looks uncertain, but there's a hopeful glimmer in her eye.
In the background is a building the second floor of which looks drastically different from the first: it's much more colorful and imaginative. The text on the building reads "Community Center"
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