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Today we have two originals, a preliminary concept and a finished study that Michael completed during his work on a cover for a forthcoming special edition of At the Mountains of Madness by H.P. Lovecraft from Centipede Press. 1/3

https://www.michaelwhelan.com/shop/original-art/

#horror #illustration #hplovecraft #originalart #shoggoth

FEARFUL GEOMETRY (2024), Acrylic on Panel, 8โ€ x 8โ€, Custom framed mounted on black wood panel with dark silver wood moulding.

A pale green, five-pointed star with chipped points rests upon textured gray stone as a slender tentacle extends from off panel to cup and curl around it. The skin of the tentacle is smooth, green and yellow like a snake but suggests something more horrific as it sprouts eyeballs at random and becomes serrated approaching the tip. A second star forms at the center of the soapstone, recessed, radiating lines outward to the points and to the intersections of sides. Teardrops are etched on the ridge of each diamond segment with an arc dots on the bevel of each slope. Drops of bright red bead on the stone in the lower right.
FEARFUL GEOMETRY (2024), Acrylic on Panel, 8โ€ x 8โ€, Custom framed mounted on black wood panel with dark silver wood moulding. A pale green, five-pointed star with chipped points rests upon textured gray stone as a slender tentacle extends from off panel to cup and curl around it. The skin of the tentacle is smooth, green and yellow like a snake but suggests something more horrific as it sprouts eyeballs at random and becomes serrated approaching the tip. A second star forms at the center of the soapstone, recessed, radiating lines outward to the points and to the intersections of sides. Teardrops are etched on the ridge of each diamond segment with an arc dots on the bevel of each slope. Drops of bright red bead on the stone in the lower right.
BLIZZARD OF FEAR (2018), Oil on Board - 11โ€ x 14โ€, Custom framed in gray/brown rustic wood moulding.

A bearded man in polar gear grips a five-pointed star as he turns in surprise with his russet colored scarf whipping near horizontal, caught by chill Antarctic wind. Drifts blow at his feet, defining a line of white. His stance is set wide suggesting pivoting movement. A side satchel is strapped across his chest, tying together the colors of scarf, leather, and beard. Emerging at the edge of the snow covered mountain is a Shoggoth, a tentacled monstrosity with a myriad of eyes clustered in the knot of flesh that is the center of its mass.
BLIZZARD OF FEAR (2018), Oil on Board - 11โ€ x 14โ€, Custom framed in gray/brown rustic wood moulding. A bearded man in polar gear grips a five-pointed star as he turns in surprise with his russet colored scarf whipping near horizontal, caught by chill Antarctic wind. Drifts blow at his feet, defining a line of white. His stance is set wide suggesting pivoting movement. A side satchel is strapped across his chest, tying together the colors of scarf, leather, and beard. Emerging at the edge of the snow covered mountain is a Shoggoth, a tentacled monstrosity with a myriad of eyes clustered in the knot of flesh that is the center of its mass.

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It's #introduction time!
My name is Laetitia, I am a French illustrator obsessed with the pretty, forgotten and endearing corners of France. ๐Ÿ‡ซ๐Ÿ‡ทโœจ
Sometimes it seems vain and a little naive but I just hope to bring a little breath, lightness, pretty illustrations into the chaos of the world.
I also host a monthly newsletter which I hope will give you a break and take you on a still journey to a little-known French destination.

#illustration #postcards#digitalart #inspiration #relax #travel

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RIDER (1990)
Acrylic on Watercolor Board - 27" x 35"

A race of turtle-like creatures conquers Earth, imposing a gentler set of values on humankind, outlawing destructive technology, and denying the validity of human scientific theories. 1/3

#sciencefiction#scifi #scifiart #illustration #frederikpohl #jackwilliamson

A young woman rides piggyback on a bipedal bull-like creature with russet fur and milky blue eyes. Her arms wrap around its horns settling casually on the top of its head. Behind them in colorful relief on concrete, the story of a conquering race of aliens features a central turtle-like figure spreading wings as an egg floats over it. The figure is bordered by an Art Deco star burst of yellow and white backed by an outer oval of yellow stars on blue. Other turtle-aliens line up among simple clouds, each presenting an egg as they stand in profile in a sort of worship. Beside the concrete facade that dominates the foreground, a human male stands atop a wrecked school bus, shielding his eyes as he stares up into the sky. A turtle-alien stands next to him dwarfing him in stature.
A young woman rides piggyback on a bipedal bull-like creature with russet fur and milky blue eyes. Her arms wrap around its horns settling casually on the top of its head. Behind them in colorful relief on concrete, the story of a conquering race of aliens features a central turtle-like figure spreading wings as an egg floats over it. The figure is bordered by an Art Deco star burst of yellow and white backed by an outer oval of yellow stars on blue. Other turtle-aliens line up among simple clouds, each presenting an egg as they stand in profile in a sort of worship. Beside the concrete facade that dominates the foreground, a human male stands atop a wrecked school bus, shielding his eyes as he stares up into the sky. A turtle-alien stands next to him dwarfing him in stature.

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The USA has given itself a sair orange dunkle, so here's hoping they can dunner an ding it out of their system - quick.

#Scottish weekly word #illustration "Jings Edie that's a richt sair dunkle yiv gi'en yersel.

Dinni worry we'll ding it oot ahn ye'll be as good as new in no time."
#tractor #scots #art #language

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[Art and Inspiration] Johnnyย Bruck

Cover of Perry Rhodan #1755 Die Fรผrstin und der Outlaw (The Lady and the Outlaw) showing a spaceship in front of a planet

They say quantity is a quality all on its own, and that certainly fits the artistic output of Johnny Bruck.

Johnny Bruck was a German artist mostly working in pulp magazines, most famously Perry Rhodan, that weekly science fiction pulp novel series that is at novel issue 3306 as I write this.

In fact until his death in 1995 he illustrated most of the 1799 covers of the series up to that point (only two (!) were from other artists, and his wife and daughter finished his last two pictures), as well as most of the Atlan spin off series (also 800 issues or so), most of the 400 books of the paperback series of novels, and a variety of other things for the series.

And he did interior illustrations.

AND he worked for other publishers and series as well.

It seems he was just the guy if you wanted a serviceable original science fiction picture on time, and for a reasonable price. Mind you, what he delivered could be amazing. It also could be a bizarre experiment in styles and techniques that only had the most tenuous connection to the novel it illustrated.

When I was a kid I thought his style was just that, until I realized that many of the more run-of-the-mill covers of the early series which actually showed stuff from the actual novel were also by him.

He was a working artist, and I deeply respect that.

Cover of Perry Rhodan #1 Unternehmen Stardust (Operation Stardust) showing three spaceman, a rocket, and a tank-like vehicle on the moon, Earth on the horizon

The iconic first cover of Perry Rhodan for issue 1 โ€œUnternehmen Stardustโ€ (Operation Stardust) from 1963, in which a group of astronauts from the American Space Force meet aliens on the moon in 1971.

Cover of Perry Rhodan #655 Die Vulkan-Diebe (The Vulcano Thieves)

Bruck also loved his western themes. He also illustrated quite a few pulp western novels (they were a large part of the German pulp market for a long time) and brought in his wild west sensibilities whenever he could get away with even in his science fiction works.

Cover of wild west pulp magazine Tombstone #88, showing a cowboy at a saloon entrance, viewed from behind another person with only a hand close to their pistol visibleCover of Atlan #558 Das Multi-BewuรŸtsein (The Multi-Consciousness) showing three people, one of them in green and withfour arms, fleeing from orbital attack

I donโ€™t have a clue what this one is about, this was from the Atlan story โ€œDas Multi-Bewusstseinโ€ (The Multi-Consciousness). But I never actually read the Atlan series. Not the first one at least. Atlan was a spin-off from the main Perry Rhodan series about a sexy immortal alien that constantly talked to himself.

Cover of Perry Rhodan #495 Der Botschafter von SOL (The Ambassador from SOL) showing a spaceship in red planetary sceneCover of Perry Rhodan #1782 Zwischen Schingo und Tampir (Between Schingo and Tampir) showing a blue insectoid alien in blue flowers? under green sky

I remember this one from when I bought the issue. As with many of his cover illustrations I donโ€™t have a clue anymore what the novel was about and how it related to the story, but I certainly liked whatever he tried to show here. It just looks kinda cool.

Cover of Perry Rhodan #1372 Zwรถlf Raumschiffe nach Tarkan (Twelve spaceships to Tarkan) showing two felinoid space travellers,at consoles, one of which looking at viewer with a depressed face

Kartanin were cat persons from another universe. Because of course they were. Perry Rhodan could be weird.

Cover of Perry Rhodan Planetenroman #92 Der Ritter von Arkon (The Knight of Arkon) showing a knight, a young lady in a red dress hanging on to hom, with a castle and a flying spaceship in the back

The Planetenromane (Planetary Novels) were a sub-series of Perry Rhodan, mostly standalone novels that sometimes had quite interesting topics. In this caseโ€ฆ I donโ€™t have a clue, but considering itโ€™s called The Knight of Arkon I bet it was again about Atlan doing some stuff either in the past of Terra, or using his experience living through the whole of Terran history to play the knight somewhere else.

Cover of Perry Rhodan #1065 Das Schiff der Ahnen (The Ship of the Ancestors) showing a spherical spaceship half-sunk in a desert

I donโ€™t know how many ancient spherical ships stranded on a desert world were explored in the series, but I seem to remember at least 4 different ones from the novels I read (and I didnโ€™t read even a large part of them). I guess some themes just resonate with audiences.

Cover of Perry Rhodan #1042 Gefahr aus M19 (Danger from M19), showing a yellow shop in front of a large asteroid with exhausts

That looks like a system monitor with a planetoid hull in the back (in Traveller terms)

Cover of Perry Rhodan #1342 Chronik der Kartanin (Chronicle of the Kartanin) showing multiple people in weightless space, with glowing lights in front of them

I donโ€™t know what this is about, but the whole cover looks so 80s.

Cover of Atlan #742 Das Gruene Feuer (The Green Fire) showing two people fighting with a sort of flying dinosaur with a crossbow, while there's a three-eyed multimouthed thing in the green sky behind

Another Atlan cover. Looks very Sword and Sorcery.

Cover of Perry Rhodan #426 Das Ding auf dem Mond (The Thing on the Moon) showing four spacemen running away from a one-eyed monster coming from behind an unnaturally geometric stone structure

This looks so Lovecraftian I wouldnโ€™t be surprised if he was inspired by exactly that.

Cover of Perry Rhodan #1244 Traumwelt Terra (Dream Realm Terra) with the disembodied head and hadn of a blue psion, drones?, and a few people looking at him aghast

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#Art #illustration #perryrhodan #sciencefiction #sfart