Joachim Boaz
Joachim Boaz  ·  3 weeks ago

Content Warning

Karl Stephan's cover art detail for the 1970 German edition of Men and Machines, ed. Robert Silverberg (1968)

It illustrates Fritz Leiber's "A Bad Day for Sales" (1953)

#scifi #sciencefiction #books #art #artist

Fred Gambino
Fred Gambino  ·  3 weeks ago

Content Warning

2024 was the year that I went back to working traditionally in a big way after decades of digital. Some of it was personal, some of it for my Dark Shepherd project and debut novel. I have been lucky in that I sold every piece of art I created. So here are my nine picks of the year, both digital and traditional, none are AI.

Happy New Year to you all and all the best for 2025.

#DarkShepherd  #book  #writing  #concept  #SciFi  #illustration  #art  #digitalart  #spaceships  #visdev

Lemon
Lemon  ·  4 months ago

Content Warning

Been on the fence about joining Mastodon for a while. Jumped off of it, finally. Hi :]

I'm a character artist, spent a lot of time drawing OCs but also made some Solarpunk stuff, including that one "we would call it Solarpunk" post.

Here's some illustrations I did for the Solarpunk Prompts podcast, with more to come

#introduction #art #solarpunk #hopepunk #illustration #ukraine#myArt

A TV studio recording a cooking show, with a clearly distressed cook standing in front of a table full of vegetarian / vegan ingredients, their hands raised placatingly. The audience in front of them is clearly outraged, waving protest signs demanding meat.
A TV studio recording a cooking show, with a clearly distressed cook standing in front of a table full of vegetarian / vegan ingredients, their hands raised placatingly. The audience in front of them is clearly outraged, waving protest signs demanding meat.
A TV studio recording a cooking show, with a clearly distressed cook standing in front of a table full of vegetarian / vegan ingredients, their hands raised placatingly. The audience in front of them is clearly outraged, waving protest signs demanding meat.
Digital illustration. The scene is set on a spring morning. A middle-aged woman is standing in the centre of the frame, holding a miner's helmet in one hand and in the other - a flyer, close to her chest. Before her is a statue of two people, one of which is pulling the other out of a hole while holding onto a small wind turbine. A discarded pickaxe is lying on the ground. The woman looks uncertain, but there's a hopeful glimmer in her eye. In the background is a building the second floor of which looks drastically different from the first: it's much more colorful and imaginative. The text on the building reads "Community Center"
Digital illustration. The scene is set on a spring morning. A middle-aged woman is standing in the centre of the frame, holding a miner's helmet in one hand and in the other - a flyer, close to her chest. Before her is a statue of two people, one of which is pulling the other out of a hole while holding onto a small wind turbine. A discarded pickaxe is lying on the ground. The woman looks uncertain, but there's a hopeful glimmer in her eye. In the background is a building the second floor of which looks drastically different from the first: it's much more colorful and imaginative. The text on the building reads "Community Center"
Digital illustration. The scene is set on a spring morning. A middle-aged woman is standing in the centre of the frame, holding a miner's helmet in one hand and in the other - a flyer, close to her chest. Before her is a statue of two people, one of which is pulling the other out of a hole while holding onto a small wind turbine. A discarded pickaxe is lying on the ground. The woman looks uncertain, but there's a hopeful glimmer in her eye. In the background is a building the second floor of which looks drastically different from the first: it's much more colorful and imaginative. The text on the building reads "Community Center"
Digital illustration of a vibrant cafeteria scene. We can see through the faraway window that the building is situated somewhere high up in the mountains, likely next to a research station. Visitors are going about their day in the background, and the walls are covered in art. In the foreground, two people are having a conversation over a vegetarian meal. The person on the left is playfully leaning in, probably asking the other one a question. The second person is gesturing in frustration. To their right is a notebook covered in scribbles, indicating possible creative troubles.
Digital illustration of a vibrant cafeteria scene. We can see through the faraway window that the building is situated somewhere high up in the mountains, likely next to a research station. Visitors are going about their day in the background, and the walls are covered in art. In the foreground, two people are having a conversation over a vegetarian meal. The person on the left is playfully leaning in, probably asking the other one a question. The second person is gesturing in frustration. To their right is a notebook covered in scribbles, indicating possible creative troubles.
Digital illustration of a vibrant cafeteria scene. We can see through the faraway window that the building is situated somewhere high up in the mountains, likely next to a research station. Visitors are going about their day in the background, and the walls are covered in art. In the foreground, two people are having a conversation over a vegetarian meal. The person on the left is playfully leaning in, probably asking the other one a question. The second person is gesturing in frustration. To their right is a notebook covered in scribbles, indicating possible creative troubles.
Digital illustration of a rooftop vegetable garden under a semi-transparent solar panel, lit by the morning sun. Behind it we see a vibrant residential tower, and yet further - a park still bathed in gentle shadows, as well as a train bridge. Three people are in the foreground next to the raised garden beds. A grandmother is sitting on a stool, explaining something to the curious child who's crouching nearby. To the left, a girl, clearly in the middle of doing something, appears to have zoned out and is now looking into the distance, fiddling with her necklace. A watering can is dripping on the thin stone-tiled path nearby.
Digital illustration of a rooftop vegetable garden under a semi-transparent solar panel, lit by the morning sun. Behind it we see a vibrant residential tower, and yet further - a park still bathed in gentle shadows, as well as a train bridge. Three people are in the foreground next to the raised garden beds. A grandmother is sitting on a stool, explaining something to the curious child who's crouching nearby. To the left, a girl, clearly in the middle of doing something, appears to have zoned out and is now looking into the distance, fiddling with her necklace. A watering can is dripping on the thin stone-tiled path nearby.
Digital illustration of a rooftop vegetable garden under a semi-transparent solar panel, lit by the morning sun. Behind it we see a vibrant residential tower, and yet further - a park still bathed in gentle shadows, as well as a train bridge. Three people are in the foreground next to the raised garden beds. A grandmother is sitting on a stool, explaining something to the curious child who's crouching nearby. To the left, a girl, clearly in the middle of doing something, appears to have zoned out and is now looking into the distance, fiddling with her necklace. A watering can is dripping on the thin stone-tiled path nearby.
Michael Whelan
Michael Whelan  ·  4 weeks ago

Tasteful nudity, non-sexual

SPIRIT OF ENDURING HOPE (2016)
Acrylic on Mat Board - 12" x 9"

I turned a smear of paint on my drawing table cover into a tree. Other marks suggested rocks and became an island to which I added a figure. I started to paint in clouds but stopped because the image was getting boring.
1/3

#art #fantasy #illustration #leftoversandpalettegremlins

A tiny female figure stands beneath a pair of tall, uneven evergreen trees rising off a rocky outcrop of shore. The sky is cloudy gray except for a warm band of dull orange defining the horizon. As tall as the massive trees, a monotone female figure floats nearby draped in cloth and holding out her hand. A ring of ginkgo leaves hovers nearby. Her hair is wild and wind tossed. The cloth covers only one shoulder exposing her other breast. Her knee is raised suggesting upward motion as if she is lifting off the shore.
A tiny female figure stands beneath a pair of tall, uneven evergreen trees rising off a rocky outcrop of shore. The sky is cloudy gray except for a warm band of dull orange defining the horizon. As tall as the massive trees, a monotone female figure floats nearby draped in cloth and holding out her hand. A ring of ginkgo leaves hovers nearby. Her hair is wild and wind tossed. The cloth covers only one shoulder exposing her other breast. Her knee is raised suggesting upward motion as if she is lifting off the shore.
A tiny female figure stands beneath a pair of tall, uneven evergreen trees rising off a rocky outcrop of shore. The sky is cloudy gray except for a warm band of dull orange defining the horizon. As tall as the massive trees, a monotone female figure floats nearby draped in cloth and holding out her hand. A ring of ginkgo leaves hovers nearby. Her hair is wild and wind tossed. The cloth covers only one shoulder exposing her other breast. Her knee is raised suggesting upward motion as if she is lifting off the shore.
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