Heather :chickadee:
Heather :chickadee:  ยท  last year

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Heya! My name's Heather (aka. Rheall). I'm an artist, writer, and comicker (mostly on hiatus), and #MastoAdmin of masto_comichttp://ComicsCamp.Club ๐Ÿ•๏ธ

๐Ÿ’œ #Disabled, suffering from Myalgic Encephalomyelitis (#MECFS)
๐Ÿ’š Married, white, demisexual/~asexual, cis AFAB heart_sp_demi
๐Ÿ’™ Family originally from Northeast Yorkshire, UK ๐Ÿ‡ฌ๐Ÿ‡ง
๐Ÿ’œ Lives on unceded Musqueam, Squamish and Tsleil-Waututh First Nations land ๐Ÿ
๐Ÿ’š BFA in Illustration from Emily Carr University of Art and Design (2015)
๐Ÿ’™ Fedi denizen circa fediverse Oct/2017
๐Ÿ’œ Former Admin of mastoart Mastodon.ART (Jan/2019 - Feb/2021)
๐Ÿ’š Dabbles in knitting#Knitting, needle#Embroidery, mandala#DotPainting, and other crafty things
๐Ÿ’™ Simblr at: plumbob4http://rheallsim.tumblr.com/
๐Ÿ’œ Owner of squishygecko@Squishy and ailapup@Aila
๐Ÿ’š One of those weirdos who actually *likes* drawing horses ๐ŸŽ
๐Ÿ’™ Loving mother of the #Mosstodon ๐ŸŒฟ and #KindNote โœ๏ธ hashtags
๐Ÿ’œ Portfolio: HG_rheallhttp://rheall.me/

Follow requests welcome, but I cannot guarantee I'll accept. (It also might take me a while to process them; apologies! ๐Ÿ™)

I also tend to boost a lot; feel free to turn off boosts from me using the "โ€ฆ" menu on my profile if you'd prefer to only see my original authored toots. โœ๏ธ

#introduction #reintroduction #introductions

Andrรฉ Hoarau
Andrรฉ Hoarau  ยท  2 years ago

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Well, I guess it's time for an #introduction! I'm a professional software developer from Reunion Island.

I've been a #marketgardener for six years and I'm the creator of https://qrop.frama.io, a #FLOSS #cropplanning software written in #qt. I'm porting it to #Phoenix because #Elixir is such a wonderful language! (And more seriously, because a #SaaS will be a better fit.)

#GNUlinux user since 2005, #Emacs lover ever since, learning #Rust in my spare time, #climbing as much as possible.

Deb Ong ็ฟ่ฏ—็พŽ
Deb Ong ็ฟ่ฏ—็พŽ  ยท  2 years ago

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So after a couple of days of snooping around and butting into conversations, I guess it's #introduction time ๐Ÿ˜

I'm originally from Singapore, but moved to Naarm (Melbourne, Australia) in 2004.

I have been in the hospitality industry for 18 years.
The last 12 of which have been spent in the kitchen as a chef. I post about #food a lot ๐Ÿ˜

I also have a background in #Anthropology, #SocialTheory and #HumanNutrition.

Am currently in the middle of a #PhD in #Education - researching community #foodpedagogies as well as food education in #PublicHealth.

I am passionate about #SocialJustice, #FoodSecurity, #Decolonisation and dismantling systems that perpetuate division and inequity.

I am a #dancer, #SciFi geek, a novice gardener and have a regular #yoga practice.

Open to meet anyone and everyone. Excited to be here and looking forward to many amazing conversations and friendships! ๐Ÿ’œ

#Introductions#Newbie#TwitterMigration

fediverse_user
fediverse_user  ยท  10 months ago

Content Warning

New #introduction time:

๐Ÿ‘‹ Hey, I've been here on the Fedi for the last 7 years.

Founding member of @weareopencoop working at the intersection of #learning, #technology & #community.

Was PM of #MoodleNet, a decentralised digital commons built on #ActivityPub from 2018-2020 which has morphed into @bonfire, a federated app toolkit.

Wrote doctoral thesis on #digitalliteracies. Was on Mozilla's #OpenBadges team & led #WebLiteracy work.

Pursuing MSc in #SystemsThinking

I like ๐Ÿ”๏ธ๐Ÿฅƒโšฝ

Nina Davtian
Nina Davtian  ยท  2 years ago

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#introduction

#HappyNewYear everyone!

I am a #paleoclimate #scientist who also is an expert on #biomarkers as #ClimateProxies. In other words, I study past #climate using #molecular #fossils.

I am currently a @CNRS_INSU researcher at the Centre de Recherche et d'Enseignement en Gรฉosciences de l'Environnement (CEREGE, France).

In addition to boosting toots of interest, I will essentially toot my new #scientific #publications and other #scientific content.

#ECR#WomenInSTEM ๐Ÿ‘ฉโ€๐Ÿ”ฌ

Anita Harris Satkunananthan
Anita Harris Satkunananthan  ยท  6 months ago

Content Warning

Time for me to shamelessly do a re #introduction for the newer people joining masto!

Hello! I am a published SFF author, poet, musician/music student and sometime-composer with major impostor syndrome. I am also a biblioholic, a literary Gothic academic (PhD in Literature). My interests outside of these spheres include cooking, language learning, binge-watching my favourite (mostly SFF/Gothic) shows. On Mastodon I mostly engage with the #3GoodThings community when I am not posting #music recommendations (mostly #womencomposers #experimentalmusic #contemporarymusic #classicalmusic with some #indie)

My bibliography: https://mythopoetica.com/bibliography
My debut fantasy novel: https://mythopoetica.com/2024/09/01/places-to-purchase-watermyth-ebook/

Lemon
Lemon  ยท  8 months ago

Content Warning

Been on the fence about joining Mastodon for a while. Jumped off of it, finally. Hi :]

I'm a character artist, spent a lot of time drawing OCs but also made some Solarpunk stuff, including that one "we would call it Solarpunk" post.

Here's some illustrations I did for the Solarpunk Prompts podcast, with more to come

#introduction #art #solarpunk #hopepunk #illustration #ukraine#myArt

Digital illustration of a rooftop vegetable garden under a semi-transparent solar panel, lit by the morning sun. Behind it we see a vibrant residential tower, and yet further - a park still bathed in gentle shadows, as well as a train bridge. Three people are in the foreground next to the raised garden beds. A grandmother is sitting on a stool, explaining something to the curious child who's crouching nearby. To the left, a girl, clearly in the middle of doing something, appears to have zoned out and is now looking into the distance, fiddling with her necklace. A watering can is dripping on the thin stone-tiled path nearby.
Digital illustration of a rooftop vegetable garden under a semi-transparent solar panel, lit by the morning sun. Behind it we see a vibrant residential tower, and yet further - a park still bathed in gentle shadows, as well as a train bridge. Three people are in the foreground next to the raised garden beds. A grandmother is sitting on a stool, explaining something to the curious child who's crouching nearby. To the left, a girl, clearly in the middle of doing something, appears to have zoned out and is now looking into the distance, fiddling with her necklace. A watering can is dripping on the thin stone-tiled path nearby.
Digital illustration of a rooftop vegetable garden under a semi-transparent solar panel, lit by the morning sun. Behind it we see a vibrant residential tower, and yet further - a park still bathed in gentle shadows, as well as a train bridge. Three people are in the foreground next to the raised garden beds. A grandmother is sitting on a stool, explaining something to the curious child who's crouching nearby. To the left, a girl, clearly in the middle of doing something, appears to have zoned out and is now looking into the distance, fiddling with her necklace. A watering can is dripping on the thin stone-tiled path nearby.
A TV studio recording a cooking show, with a clearly distressed cook standing in front of a table full of vegetarian / vegan ingredients, their hands raised placatingly. The audience in front of them is clearly outraged, waving protest signs demanding meat.
A TV studio recording a cooking show, with a clearly distressed cook standing in front of a table full of vegetarian / vegan ingredients, their hands raised placatingly. The audience in front of them is clearly outraged, waving protest signs demanding meat.
A TV studio recording a cooking show, with a clearly distressed cook standing in front of a table full of vegetarian / vegan ingredients, their hands raised placatingly. The audience in front of them is clearly outraged, waving protest signs demanding meat.
Digital illustration of a vibrant cafeteria scene. We can see through the faraway window that the building is situated somewhere high up in the mountains, likely next to a research station. Visitors are going about their day in the background, and the walls are covered in art. In the foreground, two people are having a conversation over a vegetarian meal. The person on the left is playfully leaning in, probably asking the other one a question. The second person is gesturing in frustration. To their right is a notebook covered in scribbles, indicating possible creative troubles.
Digital illustration of a vibrant cafeteria scene. We can see through the faraway window that the building is situated somewhere high up in the mountains, likely next to a research station. Visitors are going about their day in the background, and the walls are covered in art. In the foreground, two people are having a conversation over a vegetarian meal. The person on the left is playfully leaning in, probably asking the other one a question. The second person is gesturing in frustration. To their right is a notebook covered in scribbles, indicating possible creative troubles.
Digital illustration of a vibrant cafeteria scene. We can see through the faraway window that the building is situated somewhere high up in the mountains, likely next to a research station. Visitors are going about their day in the background, and the walls are covered in art. In the foreground, two people are having a conversation over a vegetarian meal. The person on the left is playfully leaning in, probably asking the other one a question. The second person is gesturing in frustration. To their right is a notebook covered in scribbles, indicating possible creative troubles.
Digital illustration. The scene is set on a spring morning. A middle-aged woman is standing in the centre of the frame, holding a miner's helmet in one hand and in the other - a flyer, close to her chest. Before her is a statue of two people, one of which is pulling the other out of a hole while holding onto a small wind turbine. A discarded pickaxe is lying on the ground. The woman looks uncertain, but there's a hopeful glimmer in her eye. In the background is a building the second floor of which looks drastically different from the first: it's much more colorful and imaginative. The text on the building reads "Community Center"
Digital illustration. The scene is set on a spring morning. A middle-aged woman is standing in the centre of the frame, holding a miner's helmet in one hand and in the other - a flyer, close to her chest. Before her is a statue of two people, one of which is pulling the other out of a hole while holding onto a small wind turbine. A discarded pickaxe is lying on the ground. The woman looks uncertain, but there's a hopeful glimmer in her eye. In the background is a building the second floor of which looks drastically different from the first: it's much more colorful and imaginative. The text on the building reads "Community Center"
Digital illustration. The scene is set on a spring morning. A middle-aged woman is standing in the centre of the frame, holding a miner's helmet in one hand and in the other - a flyer, close to her chest. Before her is a statue of two people, one of which is pulling the other out of a hole while holding onto a small wind turbine. A discarded pickaxe is lying on the ground. The woman looks uncertain, but there's a hopeful glimmer in her eye. In the background is a building the second floor of which looks drastically different from the first: it's much more colorful and imaginative. The text on the building reads "Community Center"
Dr John A Stevenson
Dr John A Stevenson  ยท  2 years ago

Content Warning

Hi! This is my #introduction. I'm a geologist turned software developer living in Scotland ๐Ÿด๓ ง๓ ข๓ ณ๓ ฃ๓ ด๓ ฟ.

I used to tweet and blog about volcanoes ๐ŸŒ‹, Iceland ๐Ÿ‡ฎ๐Ÿ‡ธ, geospatial data ๐Ÿ—บ๏ธ, and open source science software pythonlinux (http://all-geo.org/volcan01010/every-post-ever/) but I don't have so much time for that these days.

I'm hopeful that Mastodon will be like the glory days of sci-comm Twitter circa 2012.

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