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Today in Labor History January 2, 1921: Karel Čapek’s science fiction play “R.U.R.” premiered. "R.U.R." stands for “Rossum's Universal Robots.” The play introduced the word “robot” to the English language and to the world of science fiction. He derived the word “Robot” from the Czech word for forced labor by Serfs, a derivation he attributed to his brother, Joseph. The play is an archetype for many of the science fiction stories and films that followed, like Bladerunner, West World and Terminator, and others about robots, replicants and hosts that rebel against humans. However, “R.U.R.,” like Čapek’s 1936 novel “War with the Newts,” is also a satirical critique of totalitarianism, which was already on the rise in Europe at the time he wrote the play.

Čapek was opposed to all forms of totalitarianism, including both communism and fascism. As a young man, he worked as a journalist, in Prague, where he wrote on topics such as nationalism, totalitarianism and consumerism. As a teen, he was expelled from his high school for participating in an unauthorized student club, which he later described as a "very non-murderous anarchist society." In 1938, he had the chance to leave for the UK, but refused to leave Czechoslovakia, where the Nazi Gestapo had named him "public enemy number two." He died later that year from pneumonia.

#workingclass #LaborHistory #karelcapek #sciencefiction #scifi #robot #serf #slavery #totalitarianism #satire #play #playwright #theater #film #bladerunner #rebellion @bookstadon

An extremely detailed diagram of the history of Science Fiction. The diagram has a rather monstrous aspect, with tentacle-like roots and branches. On the upper left corner are found the roots of the diagram: Fear and Wonder, giving way to Animism and Legend. Other portals into the diagram are Philosophy, Art, Exploration and Observation. These roots converge and possibly interact with other concepts such as the Enlightment, Science, Utopias, Romantic Movements. Important science fiction works, authors and genres emerge on the way, amidst a vast quantity of other entries: the Gothic Novel, Frankenstein, Jules Vernes, H.G. Wells, Edgar Allan Poe, Science Adventure, Fantasy Adventure, Alice in Wonderland, Weird Tales, Pulp Magazines, Astounding Science Fiction, Galaxy Magazine, H.P. Lovecraft, Sword+Sorcery, Modern Horrror, Isaac Asimov, Philip K. Dick, Dune, Space Opera, Cyber Punk, Star Wars, Alien, Terminator, 2001 Space Odissey, Star Trek, Battlestar Galactica, Total Recall, J.R.R. Tolkien, Dracula, Metropolis, King Kong, Aldous Huxley, and so on. A timeline is indicated on the upper and lower boundaries of the diagram.
An extremely detailed diagram of the history of Science Fiction. The diagram has a rather monstrous aspect, with tentacle-like roots and branches. On the upper left corner are found the roots of the diagram: Fear and Wonder, giving way to Animism and Legend. Other portals into the diagram are Philosophy, Art, Exploration and Observation. These roots converge and possibly interact with other concepts such as the Enlightment, Science, Utopias, Romantic Movements. Important science fiction works, authors and genres emerge on the way, amidst a vast quantity of other entries: the Gothic Novel, Frankenstein, Jules Vernes, H.G. Wells, Edgar Allan Poe, Science Adventure, Fantasy Adventure, Alice in Wonderland, Weird Tales, Pulp Magazines, Astounding Science Fiction, Galaxy Magazine, H.P. Lovecraft, Sword+Sorcery, Modern Horrror, Isaac Asimov, Philip K. Dick, Dune, Space Opera, Cyber Punk, Star Wars, Alien, Terminator, 2001 Space Odissey, Star Trek, Battlestar Galactica, Total Recall, J.R.R. Tolkien, Dracula, Metropolis, King Kong, Aldous Huxley, and so on. A timeline is indicated on the upper and lower boundaries of the diagram.