Lemon
Lemon  ·  4 months ago

Content Warning

Been on the fence about joining Mastodon for a while. Jumped off of it, finally. Hi :]

I'm a character artist, spent a lot of time drawing OCs but also made some Solarpunk stuff, including that one "we would call it Solarpunk" post.

Here's some illustrations I did for the Solarpunk Prompts podcast, with more to come

#introduction #art #solarpunk #hopepunk #illustration #ukraine#myArt

Digital illustration of a vibrant cafeteria scene. We can see through the faraway window that the building is situated somewhere high up in the mountains, likely next to a research station. Visitors are going about their day in the background, and the walls are covered in art. In the foreground, two people are having a conversation over a vegetarian meal. The person on the left is playfully leaning in, probably asking the other one a question. The second person is gesturing in frustration. To their right is a notebook covered in scribbles, indicating possible creative troubles.
Digital illustration of a vibrant cafeteria scene. We can see through the faraway window that the building is situated somewhere high up in the mountains, likely next to a research station. Visitors are going about their day in the background, and the walls are covered in art. In the foreground, two people are having a conversation over a vegetarian meal. The person on the left is playfully leaning in, probably asking the other one a question. The second person is gesturing in frustration. To their right is a notebook covered in scribbles, indicating possible creative troubles.
Digital illustration of a vibrant cafeteria scene. We can see through the faraway window that the building is situated somewhere high up in the mountains, likely next to a research station. Visitors are going about their day in the background, and the walls are covered in art. In the foreground, two people are having a conversation over a vegetarian meal. The person on the left is playfully leaning in, probably asking the other one a question. The second person is gesturing in frustration. To their right is a notebook covered in scribbles, indicating possible creative troubles.
A TV studio recording a cooking show, with a clearly distressed cook standing in front of a table full of vegetarian / vegan ingredients, their hands raised placatingly. The audience in front of them is clearly outraged, waving protest signs demanding meat.
A TV studio recording a cooking show, with a clearly distressed cook standing in front of a table full of vegetarian / vegan ingredients, their hands raised placatingly. The audience in front of them is clearly outraged, waving protest signs demanding meat.
A TV studio recording a cooking show, with a clearly distressed cook standing in front of a table full of vegetarian / vegan ingredients, their hands raised placatingly. The audience in front of them is clearly outraged, waving protest signs demanding meat.
Digital illustration of a rooftop vegetable garden under a semi-transparent solar panel, lit by the morning sun. Behind it we see a vibrant residential tower, and yet further - a park still bathed in gentle shadows, as well as a train bridge. Three people are in the foreground next to the raised garden beds. A grandmother is sitting on a stool, explaining something to the curious child who's crouching nearby. To the left, a girl, clearly in the middle of doing something, appears to have zoned out and is now looking into the distance, fiddling with her necklace. A watering can is dripping on the thin stone-tiled path nearby.
Digital illustration of a rooftop vegetable garden under a semi-transparent solar panel, lit by the morning sun. Behind it we see a vibrant residential tower, and yet further - a park still bathed in gentle shadows, as well as a train bridge. Three people are in the foreground next to the raised garden beds. A grandmother is sitting on a stool, explaining something to the curious child who's crouching nearby. To the left, a girl, clearly in the middle of doing something, appears to have zoned out and is now looking into the distance, fiddling with her necklace. A watering can is dripping on the thin stone-tiled path nearby.
Digital illustration of a rooftop vegetable garden under a semi-transparent solar panel, lit by the morning sun. Behind it we see a vibrant residential tower, and yet further - a park still bathed in gentle shadows, as well as a train bridge. Three people are in the foreground next to the raised garden beds. A grandmother is sitting on a stool, explaining something to the curious child who's crouching nearby. To the left, a girl, clearly in the middle of doing something, appears to have zoned out and is now looking into the distance, fiddling with her necklace. A watering can is dripping on the thin stone-tiled path nearby.
Digital illustration. The scene is set on a spring morning. A middle-aged woman is standing in the centre of the frame, holding a miner's helmet in one hand and in the other - a flyer, close to her chest. Before her is a statue of two people, one of which is pulling the other out of a hole while holding onto a small wind turbine. A discarded pickaxe is lying on the ground. The woman looks uncertain, but there's a hopeful glimmer in her eye. In the background is a building the second floor of which looks drastically different from the first: it's much more colorful and imaginative. The text on the building reads "Community Center"
Digital illustration. The scene is set on a spring morning. A middle-aged woman is standing in the centre of the frame, holding a miner's helmet in one hand and in the other - a flyer, close to her chest. Before her is a statue of two people, one of which is pulling the other out of a hole while holding onto a small wind turbine. A discarded pickaxe is lying on the ground. The woman looks uncertain, but there's a hopeful glimmer in her eye. In the background is a building the second floor of which looks drastically different from the first: it's much more colorful and imaginative. The text on the building reads "Community Center"
Digital illustration. The scene is set on a spring morning. A middle-aged woman is standing in the centre of the frame, holding a miner's helmet in one hand and in the other - a flyer, close to her chest. Before her is a statue of two people, one of which is pulling the other out of a hole while holding onto a small wind turbine. A discarded pickaxe is lying on the ground. The woman looks uncertain, but there's a hopeful glimmer in her eye. In the background is a building the second floor of which looks drastically different from the first: it's much more colorful and imaginative. The text on the building reads "Community Center"
SciFi/Fantasy Magazine Covers
SciFi/Fantasy Magazine Covers  ·  last month

Content Warning

Worlds of IF (September 1962)

I can't tell if those are ships or satellites and whether they're moving or not, but I love how the planet is above and the empty space is below.

I have searched in vain for a trace of the used book shop whose stamp is on this. I can practically smell the place!

Original magazine: https://archive.org/details/1962-09_IF

#Magazine#MagazineCover#PulpMagazine#PulpFiction#ScienceFiction#Fantasy#Horror#Art#Illustration

Sylvia Ritter
Sylvia Ritter  ·  last month

Content Warning

We can see ten robots rather crowded on a tiny boat in space. One of these robots is holding a flag that is slowly dissolving. They are from various galaxy regions and have different looks (from large to small, from one eye to three, humanoid and animallike..) and precious traditions. Thanks to the universal translator, not a necessary but a helpful invention, they can work together without any misunderstandings to get through these difficult times. They need to stick together because their surroundings are being destroyed. Far away, we can see an exploding planet, hot lava, and smoke. All hope is lying in their future. Together they will have a chance to find a new place to exist and build more robots.
We can see ten robots rather crowded on a tiny boat in space. One of these robots is holding a flag that is slowly dissolving. They are from various galaxy regions and have different looks (from large to small, from one eye to three, humanoid and animallike..) and precious traditions. Thanks to the universal translator, not a necessary but a helpful invention, they can work together without any misunderstandings to get through these difficult times. They need to stick together because their surroundings are being destroyed. Far away, we can see an exploding planet, hot lava, and smoke. All hope is lying in their future. Together they will have a chance to find a new place to exist and build more robots.
We can see ten robots rather crowded on a tiny boat in space. One of these robots is holding a flag that is slowly dissolving. They are from various galaxy regions and have different looks (from large to small, from one eye to three, humanoid and animallike..) and precious traditions. Thanks to the universal translator, not a necessary but a helpful invention, they can work together without any misunderstandings to get through these difficult times. They need to stick together because their surroundings are being destroyed. Far away, we can see an exploding planet, hot lava, and smoke. All hope is lying in their future. Together they will have a chance to find a new place to exist and build more robots.
Bison
Bison  ·  2 months ago

Content Warning

You will find these creatures on my website https://bisonrimant.fr

On 7pm (Paris GMT), the shop will be updated with the dragon and the holding mug monster.

#art #woodcarving #cursednativityscene

Set of various woodcarved creatures on a work bench. A plump rabbit, a horned, one-eyed monster holding a cofee mug wearing a dress, a standing up dragon with wings on its sides, a standing up otter, a giant humanoid goose wearing plate armour, holding a shield and a flanged mace with a plump red robin on the handle, a horned monster wearing a black dress, holding a round rabbit on its left hand, with a red robin on its head, a standing up dragon with a duck on its head, a cat-like humanoid creature with four eyes, wearing a blue dress, moo deng the baby pigmy hippo, and a fat walrus. On the workbench, saw dust, a saw and some wood chips in a box in the background, also, various tools hanging on the top of the frame.
Set of various woodcarved creatures on a work bench. A plump rabbit, a horned, one-eyed monster holding a cofee mug wearing a dress, a standing up dragon with wings on its sides, a standing up otter, a giant humanoid goose wearing plate armour, holding a shield and a flanged mace with a plump red robin on the handle, a horned monster wearing a black dress, holding a round rabbit on its left hand, with a red robin on its head, a standing up dragon with a duck on its head, a cat-like humanoid creature with four eyes, wearing a blue dress, moo deng the baby pigmy hippo, and a fat walrus. On the workbench, saw dust, a saw and some wood chips in a box in the background, also, various tools hanging on the top of the frame.
Set of various woodcarved creatures on a work bench. A plump rabbit, a horned, one-eyed monster holding a cofee mug wearing a dress, a standing up dragon with wings on its sides, a standing up otter, a giant humanoid goose wearing plate armour, holding a shield and a flanged mace with a plump red robin on the handle, a horned monster wearing a black dress, holding a round rabbit on its left hand, with a red robin on its head, a standing up dragon with a duck on its head, a cat-like humanoid creature with four eyes, wearing a blue dress, moo deng the baby pigmy hippo, and a fat walrus. On the workbench, saw dust, a saw and some wood chips in a box in the background, also, various tools hanging on the top of the frame.
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